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My Studio

I've been building a small collection of microphones, mostly from the 1960s, and shifting away from modern 48V phantom power systems. Instead, I work with 12T Tonader power through Kleintuchel connectors, using SQN preamps to keep that older signal path alive. Some microphones operate at 8.4V and respond with extreme sensitivity.
Recently, I acquired a seismic contact microphone, which I’ve started using to capture unconventional and highly textured sound sources.
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