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Solo Work

I'm currently revisiting the last ten years of compositions through cinematic electronic music and a Yamaha Disklavier piano.
The project focuses on redeveloping ideas originally written for images that remained incomplete due to sync constraints or short formats and reshaping them into more fully realized works with a sound closer to my current artistic vision.
2023

Melancholic Feel: An Operatic Kind of Sleep

I had trouble falling asleep, so I began composing this album as something calming to listen to. What started as a simple attempt to create slow, soothing music gradually became a deeper exploration of structure. While working on it, I became increasingly aware of the relationship between mathematics and musical form, and the project evolved into a study of time and repetition. The album lasts 1h01m23s, and every track is 1m23s.

2024

Melancholic Feel: Nostalgic Relapse

Another electronic version of “Melancholic Feel.” Also known as “MFL,” this track is a chord progression I just can’t seem to shake, dating back to 2022.

2022

Melancholic Feel: Ambre & Thelma's Version

Composed for Ambre and Thelma’s student audiovisual project. This track is one of several alternate versions of “Melancholic Feel”

2022

Calm Aftermath

Created under extreme time constraint. 1 hour to compose and deliver a two-minute track. Solo piano. Chords layered in sequence, resonating into silence. Calm, quiet, melancholic... by accident.

2018

Emptiness

Composed for Pekuakami, a short film by Leo Konnerth, this piece was intended to evoke the cold grandeur of the Canadian landscape. Slow, dark, and melancholic, it was built around a sense of immense space and emotional weight. In the end, it was not used in the film, as its scale and poetic direction exceeded what the project required.

2017

The Arrival

Written for a documentary on whales, this piece was meant to open the film—leading into the moment where the whales are revealed, moving together as if in dance. It was created for a music casting, but it never became part of the final project. It remains here, unchanged, as a trace of that intention.

2016

Peacefully Contemplating The Earth Burn

This track was originally intended to appear in CALLS S01E07. It was conceived as a theme for Rose, during the moment she watches the Earth burn in front of her eyes. However, it ultimately did not find its place in the episode and was replaced by what is now known as “Rose’s Theme.”